At the outset, the obsessive repetition of a tag and the search for urban fame became a widespread and spontaneous act, an infinite ego trip that was rarely dissociated from the reproduction of the chosen letters. In these pages, European writers abandon the compulsive act of tagging for a moment, to narrate the city and cast a personal eye – not always detached – on the trains, the streets and the urban surroundings that common citizens generally cannot or will not acknowledge. The chapters that compose this book focus on specific themes, comparable to the sections of a daily newspaper, presented here as special reports on the New York subway, the European network or the first urban strongholds. The combination of these elements, including, among others, a detailed, in-depth description of the phenomenon’s explosion in Italy during the 90’s, provides a unique history of the variety of pathways they explored and documents the desires of an entire generation intent on describing and interpreting their cultural movement.Through historic and detailed documentation deriving from a singular urban episode, the New York City Subway, All City Writers wants to investigate the evolution and the consequences of a countercultural phenomenon, which in the last decades has provoked a change in the rules of aesthetics and communication in modern day society.
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